Timecode (2000)

We begin simultaneously with a screen showing 4 different stories that will converge during the film. Lauren Hathaway (Jeanne Tripplehorn) clandestinely flattens the tire of the car belonging to actress Rose (Salma Hayek) her lover. Lauren is suspicious of her faithfulness and plants a secret microphone on Rose so she can overhear her conversations when they are apart. Rose is eager to get to the casting sessions for a new film, being directed by Lester Moore (Richard Edson). Alex Green (Stellan Skarsgard), the studio executive overseeing Moores project, has problems of his own connected to his wife Emma (Saffron Burrows), who is discussing her relationship problems with her Therapist played by Glenne Headly. Alex also has a substance-abuse problem and this negatively affects his ability to perform executive decisions and his sexual involvement with Rose compromises his marriage and his career. At the studio a local spa has sent over Quentin (Julian Sands), a Latin-speaking masseuse to give everyone back rubs during their business conferences. Rose has come to the studio to meet up with Alex as part of a seduction to obtain a favorable introduction and audition for the current film being cast. The story also spins out the day of producer Evan Watz (Xander Berkeley) and his relationship with Alex and the other executives of the film company and attempts to push forward in spite of Alexs obvious problems. When Scott “Bunny” Drysdale (Kyle MacLachlan) brings in his client, Euro filmmaker Ana Pauls (Mia Maestro), an artist with ideas to pitch a new project to the executive group with the assistance of white rap musician Joey Z (Alessandro Nivola), the film clearly moves into the realm of screwball comedy, but with a pacing and delivery of some very bitter-sweet reality show. During this slice of the work day a variety of actions disrupt the actions including drug and alcohol consumption, fornication physical abuse and a few earthquakes to further shake things up as well as the actual camera work.