His soulful and passionate vocals are convincing because they are earned -- Vaughn means what he sings. Coming out of the streets of Chicago, Vaughn was raised on Muddy Waters and Howlin' Wolf, black Top 40 and James Brown. Like the greats who have come before him, he has incorporated his various influences into a blues and R&B style that is completely his own. Vaughn's most recent Alligator recording, In The Shadow Of The City (AL 4813), is a collection of mostly original songs covering all the emotional bases. From the good-time fun of Can't Nobody to the soul searching of Suicide Is Not The Way, Maurice displays his singular musical vision. He moves effortlessly from the full funk of (Everything I Do) Got to Be Funky to solo acoustic blues on Treat Me So Bad. According to Vaughn, it's important to mix things up musically and stylistically. "I don't want to be known as a 'heavy,'" Vaughn says, "but rather as someone who understands pain, can deal with it, and can also have a good time." His goal is to inspire his audience to do the same. In The Shadow Of The City showcases everything Maurice does best: sharp, original songs; soulful vocals; cutting-edge lead guitar and swinging saxophone. Vaughn, now 43, began his musical career while attending Juliet Low grade school on Chicago's South Side, playing drums, guitar and clarinet in the school band. He moved on to playing in various Top 40 cover bands. In 1968, he concentrated on the saxophone in order to join a local jazz trio. "They wanted a sax player, and I wanted to be in the band," Vaughn recalls. He made his very first recording with an R&B group called the Chosen Few for Chi-Sound records in 1976. But soon after that the saxophone jobs were drying up, so Vaughn turned his attention to his guitar. Echoes of Albert King, Albert Collins, John Lee Hooker and B.B. King can be heard in Vaughn's unique guitar style. In 1979, Vaughn entered the blues world after Phil Guy -- brother of legendary guitarist Buddy Guy and a guitarist and bandleader in his own right -- sat in with Vaughn's soul band which was playing behind Professor Eddie Lusk. After the gig, Guy invited Vaughn and band to joinhim for an upcoming Canadian tour. Soon Vaughn was playing with the top Chicago blues talents: Luther Allison, Son Seals (with whom he toured Europe) and A.C. Reed .